Day 11-14 - Pitch,ian downs interview,more research and Tom cholmondeley interview

Day 11 - On day 11 we, as a group, pitched our idea for our radio programme. Our idea had to be pitched professionally, in front of four teachers in the role of producer/associate producers. They would make the decision, based on our pitch, to allow us to go ahead and make the programme, or to go back to the drawing board.

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We pitched our idea; which was a christmas radio programme called "Will the recession make it the worst christmas in 30 years?" using a survey as primary research, asking people whether they thought christmas was too commercial, with three answers to tick, yes, no or not sure. which the results fitted similarily with our secondary research, which was an internet poll based on 607 votes. We also used a graph showing the GDP growth and loss of the UK within the last 18 years, visually presenting the first negative GDP fall since 1990.

This was all backed up with scripts and cue cards, and the use of a powerpoint presentation, covering the budget, role allocations, research on our topic, structure plan and various other key elements to our pitch. At the end of the pitch we also answered a series of questions which we answered. At the end of the pitch our project was given a "yes" from the acting panel, it felt very "Dragon's den".

Day 12 - On day 12 we had a radio presenter called Ian downs, who is curently freelancing, to come in and undertake an interview, to use within our roles and processes portfolio. We had prepared questions for him to answer referring to his line of work. His answers would be used in a 2 minute interview, which we would individually have to edit down as part or our roles and processes portfolio.

Day 13 - On day 13 we conducted some more research for our radio programme project, and agreed on hiring out the fostex and condenser mic on a Wednesday, to gather some vox pops and interviews within retail shops and the high street. This went as planned and we gained two interviews from people within retail, and 8 minutes of vox pops ready to be edited down. After this we still felt we needed more audio and plan to soon do this again and collect more material for our project.

Day 14 - On day 14 we conducted a second interview with a man called Tom cholmondeley, a Director for factual programmes such as "Horizon" he is currently creating his own independent prodution team, and again we had prepared questions for him, based on his line of work. We will use the interview and edit it down to two minutes, to assist the Ian downs interview, within our roles and processes portfolio.

Soundscape proposal

First of all I had a think about what type of sound-scape that I wan         ted to do – whether I wanted to do a fixed (1 or series) sound-scape, a moving (journey sound-scape, or a variable (abstract. Imaginary sounds-cape. The type of sound-scape I was most interested in doing was the variable sound-scape.

The sound-scape I chose was “Inside the internet” as I could use a host of individual noises, to sonically paint a picture, of how I think being inside the internet would sound.

Rough ideas I had was to use snippets of advertisements flying in an and out my sound-scape, overlapping each-other. Also I could use dial-up noises and finger clicking on they keyboards. Use electronic noises such as microwave beeping slowed right down. Maybe a train sped up so much that its sound has no relation to its source and becomes abstract. Include overlapping conversations and news being flown in from all decades. 

I could also find sounds from ever-day objects and test them within my sound-scape and see if it assist what my sound-scape is trying to be. As I am gathering individual sounds, rather than a cacophony of sound e.g. standing amongst a crowd in a carnival, it will make my sound-scape much easier to edit, and avoids the risk of masking (where certain noises e.g. crowds talking) to overcome other smaller sounds in which I am trying to pick up. Using this technique I will able to gather hi-fi sound and create a clearer composition.

Also using this sound-scape it will be very easy to create a non-linear sound-scape, ruling out any risk of it becoming a narrative. This theme of being “inside the internet” has been used in certain feature films and television programmes, such as “Futurama” giving me a research sources for my sound-scape.

Day 9/10 - More research for audio project, soundscapes.

Day 9 - On day 9 we researched more into our theme of christmas and commercialism, on agreeing that we should alter our line of research, but stick with the same subject (on day 7) we came up with the idea to make the project more primarily based on the Recession, and see how it affects Christmas, the retail industry, and the consumers 0f its commercialism. The title "Will the recession make christmas 2008 the worst in 30 years?"

So This would be the title we would use in the pitch next week, in that week would, as a group, research into the topic and create our presentation. including budget costs, people we would interview, where we would interview, whether we will use vox pops, and what questions we will ask? primary and secondary research from surveys, internet research, forums, newspapers and any other sources we may find.




Day 10 - On day 10 we went out to do some practice soundscapes in a few different environments around our local town. We had three microphones, 1 condenser mic and a set of dual condenser mics, and used three stands to position them, when we got to our desired location. we set them up in a few good locations. The first was a harbor in Uphill, and gathered noises of the sails clanking, some construction machinery, a radio in the background and some waves. The second location wasn't that good of a source; we went to the beach to record a soundscape of the sea, but the wind was too overpowering and we could not pick up much other sound.

The third location we went was just outside the pier, or rather, where the pier used to be. it lies just next to a main road, near the town centre. The front end of the pier still has some amusements left, therefore still attracts some people. we could pick up children speaking, buses going past, general conversation and seagulls. This was quite a good area, although next to the seafront, there was still a trace of the wind overpowering.

Then we also recorded at both ends of the High street (town centre). The wind here was less overpowering, we got lots of feet walking, buses pulling up again, money in pockets rattling and lots of conversation. This was one of the more successful out of our practices. So what will my soundscape be on, and how will i do it? (read next blog).

Day 7/8 - More discussions on radio programme + First assignment

On day 7 the group got together to have a discussion about our progression with research, as we were all given research roles. There was a lot of good information on the subject we had chosen, but not a great deal in material that was going to aid our radio programme greatly. So based on our research we seemed to have compiled a lot of information and opinions from the modern day christmas (1990-2008) but found less material from other decades we could use. Hence we made made a choice to alter our line of research but stick with the same subject.

On day 8 we had our first assignment, which was the 3 minute new production, using various jingles (of our choice) and blending in the best answers i got from the pier vox pops which i gathered previously. On the week before the exam i felt it bit nervous as, it i the first exam i couldn't really revise for, but when i started to do it and laid the foundations i managed to find my feet. For the exam we used Pro tools sound editing software. I think i did well at the project as a whole, but due to the time limit of 3 minutes i found it hard to fit in as many jingles at the beginning, and end, that i would have liked to. I think the thing i did best was integrating the vox pops into the programme without any disturbance between vox pops. it turned out to be quite fluent.

Day 5/6 - evaluations and subject Choice, more editing

First of all we looked at two ten minute exam entries for the BC1003 project from the previous year. We briefly came to some conclusions individually and as a group on what we thought of each entry. The first piece we listened too had an into that was far too long, it was purely instrumental and was almost 45 seconds long. This, in my opinion wouldn't really keep the attention of the audience. Also if you flicked over to a radio channel and it was playing you are likely to flick channels, as, due to its length, feels like a song that would, in my mind, not be desirable of the public ear. So the opening is dragged out and misleading.

When hearing their vox pops, i thought this was not executed very well. The question was simply "what is insomnia" leaving no real option for a long, detailed answer, 90% of the answers must have consisted of "insomnia is lack of sleep". The questions were left in for each vox pop, instead of the effective, and somewhat conventional introductory question followed by the answers. Also there were too many vox pops included, quantity is not a bad thing, when the material makes for an interesting broadcast, but it was the simple repetition of the same answer. In conclusion, the audience would not gain any knowledge from this segment. However, they had good strong, clear interview with professionals within he subject area, and was quite impressed that they had done this and very well. It was a very bland broadcast however, and was quite ironic that a broadcast on insomnia, can actually send you to sleep.

The second entry in which i listened too was a slight improvement in my opinion. It had a good use of music, it was more up-lifting and grabbed your attention more than the previous piece i had listened to. So therefore grabbed it was more interesting to me, and i would imagine the audience also. There was a good use of vox pops, intelligently incorporated into their broadcast, which produced a good amount of detail. However, their project, based on buses and generating solutions, was not directly answered by these vox pops. There was also a very well taken interview with a bus driver, but it drifted from he subject matter and it gave the audience more of a comedic tale, than an answer to problems with bus travel.

It then, although very amusing and enjoyable, began to drift downhill, mainly due to the content completely diverted away from the original intention of the broadcast. This included all footage taken from other sources rather than their own. This consisted of a comedic cat story catching the bus to a chip shop, and a man with a ventriloquist sitting on the us (which was actually a poem). However i did enjoy this piece more than the first, as it was more entertaining. Highlights was the good use of soundscape and transitions.

So next we began on our group discussion on what would be our subject for the BC1003 module. It started of as a brainstorm from the group, taking ideas, and taking into account the enthusiasm of the group towards the subject in question, and also its feasibility.

During the group discussion we came up with a few ideas. The main ideas we came up with were; a sports radio production, a music radio production, a production on oral history e.g. world war II, a radio production on the carnival, and also a production on christmas. After a debate and some further ideas, we managed to whither the 5 options to 3, which consisted of the oral history, carnivals and christmas. Christmas seemed to be the most popular choice.

We were then assigned a topic each, and within a time period of one hour we were to come up with some research on our given subject, to pitch an idea to the group, and then based on that pitch we would decide on our final topic. The ideas that rose during these pitches was based on world war II life in Weston, mods and rockers oral history, the future of carnival, and how has christmas changed in the last 50 years (which was my pitch) bringing up questions on commercialism, and researching into the thoughts of people within forums, it seemed to be a hot topic, In the end my pitch was chosen as the subject for our group.

Day 6 - We continued familiarising ourselves with the Pro tools editing software in preperation for our assignment a week today.

Day 4 - Microphones

On day 4 we learnt about how microphones work, in particular the condenser and dynamic microphones, and when it is most appropriate to use these. The Condenser microphone is more sensitive; it's diaphragm has gold plating, causing less resistance, which results in better sound capture. The Dynamic microphone operates using a coil, that moves a magnet, hence changing the magnetic field. The Dynamic microphone is not very sensitive, and is not always the best choice depending on your task.

For a Condenser microphone to work phantom power is required. Phantom power is 48 volts. However the back electret microphones do not require the Phantom power. Condenser microphones often enable the user to change the polar response patterns. This changes the way in which the microphone picks up the sound.

One polar response pattern allows the alteration of the proximity effect. The proximity effect is an increase in low frequencies when the microphone get closer to the source of sound. Bass roll-off is the polar response pattern that combats the proximity effect by cutting artificial bass gained through the microphone. However this is not always desirable, e.g. for a deep strong voice in a movie trailer, the proximity effect comes into great favor.

Condenser microphones often allow alteration of the decibels, the most common options are 6DB, 12DB and 18DB. Altering the decibels can increase or reduce the sensitivity of the microphone. 6DB is the halving of sound, this can be called the "pad switch" or the Attenuator. Compared to dynamic microphones, the Condenser microphone is very versataille.

More polar response patterns available to us, courtesy of the Condenser microphone, are the Omni-directional. Bi-directional and the Uni-directional capabilities. First of all, the Omni-Directional polar response pattern, picks up all the sounds around the microphone, which is best for ambient recording, such as creating a soundscape for a tube station or the seaside. The Bi-directional option picks up sound from two directions. This option would be good for things such as interviews. The Uni-directional microphone picks up sound from one direction. Best for recording a specific subject.

Small diaphragm condenser are much more accurate than microphones with large diaphragms. They react quickly to transient sounds (short, sharp, loud) e.g. drums or electric guitar. Large diaphragms are better for sustained sounds such as a singer of a band.

Day 3 - Vox Pops

Today we went out and did some real vox pops within the public, in my hometown of Weston-super-Mare. As a group of four it was our target to reach 50 vox pops between us. Our vox pops were based on the recent loss of the pier, each one of us had a different question, which we would use in our vox pops. But before we asked them the question, we had to make sure that we approched the public correctly, increasing our chance of getting a response.

Here is a photograph i took of the pier:

To get a response it is good to include how long you want to stop them for, what it is about? who are you? and why you are doing the vox pop? The line i used was; "hello, can i just stop you for 30 seconds, to do a recoring for our media project, i just need you to answer one simple question on the pier?". The question i used within my vox pops was "where were you when the pier burnt down and how did it make you feel?"

We used the two sets of equipment in which we were taught to use the previous week, which was the minidisk and the Fostex sound recording equipment. In paticular for this event i used the Fostex sound recording system. My friend Dan was the sound-man, checking audio levels, and carrying the equipment - we would later swap roles.

As this was the first time in doing vox pops with the public, i found the process very daunting, and i didnt know where to begin, but managed to engage myself with the task and get the vox pops i needed. The best way for me was to just get in and do it, rather than walking around worrying about it. I felt that it built my condifdence a little, as it is something i wouldnt normally be able to do. I was worried about the noises of the wind, sea and cars going past, but managed to get some clear audio through the use of the equipment.

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